This event is for:
__ YOUTH ONLY __ ADULTS ONLY _X_ BOTH YOUTH & ADULTS
The limit for total number of people who can participate is: 40
Mountainfilm is a dynamic organization with a festival of films, people, stories and ideas that celebrates indomitable spirit, educates and inspires audiences, and motivates individuals and communities to advance solutions for a livable world.
In addition to the annual festival held each year in Telluride, CO, Mountainfilm travels worldwide with a selection of the year's best short films. Each show is emceed by a Mountainfilm presenter who guides the audience through the program - in this case we're lucky to have the chance to get to know local adventure athlete and explorer Jake Norton, who will share personal stories about his own film and experiences.
Suggested donation: $10 for adults / $5 for students (under the age of 18).
PURCHASE TICKETS HERE. Then, since ticketing is being done by a third party, please CLICK HERE to let us know that you're coming.
**Please note: there are actually two film series being shown on Saturday. One is a matinee from 3:30 - 5:00 pm featuring a longer film from local adventure film maker Jake Norton about the Ganges River, which won Adventure Film of the Year at Banff Mountain Film Festival last year. Jake is a good friend and a supporter of GOALS. There will also be an evening program from 7:00 - 9:00 pm. The GOALS family would like to meet around 6:15 prior to that showing. A ticket for Saturday allows you to view either, or both, of the showing times. Food and drink will be available for purchase at the showings.
---SATURDAY'S MATINEE SHOWING WILL INCLUDE:---
Life After Water
Californian farmer Jesus Ramos was born in Mexico City and migrated with his family to the U.S. for a better life. He picked oranges in his youth and worked his way up to owning a 140-acre orange farm. As extreme drought wreaks havoc on the American West, Ramos finds himself on the front lines of a water shortage that threatens the future of his farm, his family and his community. Ramos’ condition mirrors that of many farmers in California’s once-fertile Central Valley. “Water — it makes life. Water disappears; the labor disappears. Water disappears; my farming disappears,” Ramos says. “Do you question your faith, your belief in God when you see these things? I try not to, but your tone changes whenever you talk to him. ‘Hey, you’re pushing a little hard, no?’”
As agricultural communities struggle while big coastal urban centers boom, farmers are cutting their losses and beginning to think about life after the fields.
Surfing typically requires ocean waves, but StrongWater upends that presupposition. In this film, a group of board lovers go surfing — not near the beaches of Hawaii, but to the river city of Missoula, Montana, where surfers have transformed the sport and the scene of this iconic pastime.
Holy (un)Holy River – With Jake Norton in person
What starts as a traditional expedition film at the source of the Ganges high in the Himalaya becomes something else as co-directors Pete McBride and Jake Norton journey downriver.
Although once celebrated for its purity, The Ganges now carries contaminates from its glacial headwaters, where freshly fallen snow contains zinc from industrial emissions. Downriver, the river is dammed 16 times (with another 14 dams under construction) to provide hydroelectric power. Water is diverted for agriculture and other uses, and the 500 million people in the Ganges basin further pollute the river with household trash, industrial waste, raw sewage and the remains of the dead.
Still, the Hindu faithful seek to cleanse away their sins by bathing in the holy water. As the title suggests, Holy (un)Holy River examines the paradox of a sacred river treated so profanely that its existence as a river, as opposed to an open sewer, is in question.
-----SATURDAY'S EVENING SHOWING WILL INCLUDE: -----
How We Choose
After years of war, concrete blockades, corruption, suicide bombings and the departure of friends and family for safer countries, there are few opportunities left in Kabul, Afghanistan.
How We Choose follows several people as they grapple with the heart-wrenching decision to leave their motherland — some illegally — and start over again in a new country. The optimists who stay do so because of their desire to bring about positive change and to help create a hopeful future where suicide attacks are not part of daily life. Staying and going each present much to be lost, as well as gained.
We’re All Complicit
Photojournalist Robin Hammond is haunted by the people he has walked away from. His subjects are the victims of unspeakable atrocities, and they, he notes matter-of-factly, are still there — in the conflict zone, afflicted — after he’s left. Through his work, Hammond makes all of us witnesses, as well. Thus, he proposes, “ignorance cannot be used as an alibi for inaction,” and “we are all complicit.” Having taken on the bleakest of all possible subjects, Hammond finds redemption in the humanity of his images.
Clínica de Migrantes: Life, Liberty, and the Pursuit of Happiness
Puentes de Salud is a volunteer-run clinic that provides free medical care to undocumented immigrants in south Philadelphia. Here, doctors and nurses work for free to serve people who would otherwise fall through the cracks.
Clinica de Migrantes, a potent film by Maxim Pozdorovkin, follows the workers and patients of Puentes through months of routine care and growth. Along the way, the film puts a face to the millions of people who exist on the margins of society: people displaced from their homelands, separated from their families, unfamiliar with the customs, unable to obtain health insurance and terrified to come forward to seek medical help.
Along with revealing these patient stories, Clinica is also a look at the heroic doctors and nurses who work pro bono to ensure these people receive care, offering a deeply moving look at the limitless potential of humanity.
Nascent is proof of how short films can impart big messages. It’s a simple premise: two children, a Christian boy and a Muslim girl, give their perspectives on growing up in the divided and desperately poor Central African Republic. Despite differences in their upbringings and religious backgrounds, the pair share a hopeful vision of peace that would allow them to be friends. This could have been an awkward film or, worse, a treacly
one. But in the hands of director Lindsay Branham (who attended school in Telluride in 5th and 6th grade), the result is a thoughtful and powerful documentary that asks the simple question: Why can’t we all just get along?
The National Wildlife Property Repository is a 22,000-square-foot warehouse outside of Denver, Colorado, where law enforcement officials around the country send confiscated illegal wildlife items. The repository holds more than 1 million pieces in total and received more than 35,000 items in 2015 alone. Among the seized goods are mounted tigers, kangaroo wallets, crocodile-skin purses and trinkets of carved ivory. The illegal industry that creates these products out of rare and endangered species is one of the biggest contributors to the decline of threatened species. The repository is a little-known but stark reminder of the illicit trade in wildlife that’s changing the face of the planet.
At 85 years old, organic raisin farmer and lifelong river advocate Walt Shubin is not slowing down. He has dedicated the last 65 years of his life to restoring California’s once-mighty San Joaquin River to the wild glory he remembers as a boy. Driven by his passion for the river, he takes us on a journey to help us understand why this river is so important to the future of our country.
Canyon de Chelly, located on the Navajo Nation in northeastern Arizona, was once home to the Ancient Puebloans, who lived in the area for thousands of years and built sophisticated homes in alcoves tucked under the cliff walls.
In the winter of 1864, during a systematic campaign to force the Navajo people off their land, the U.S. military faced off against a holdout of Navajo people in Canyon de Chelly. The Navajo tried to escape by scaling the steep walls, but most were taken prisoner and forced to march 300 miles out of the canyon in a deep and bitter cold. The traumatic event is known in Navajo history as the “Long Walk.”
The Draper family is descended from participants in the Long Walk and eventually returned to the canyon. Today, young Tonisha Draper and her little sister, Tonielle, are learning Navajo traditions from their father. This short film follows Tonisha, Toneil and their family as they reclaim their Navajo history and reconnect with ancestors within the canyon walls.
The Wrestling Cholita
In Bolivia, the indigenous Cholita women are easily recognized by their bowler hats, pollera skirts and plaited braids. Cholitas have long been mistreated in this South American country, but that’s changing, thanks to anti-discrimination legislation and new progressive politicians. It’s also thanks to individuals like Teresa Huayta, the wrestling Cholita. This diminutive woman is a force of nature in the ring, proving with each match that it’s a badge of pride — not a mark of shame — to be a Cholita.
Throw – With Coffin Nachtmahr in person
Growing up in East Baltimore surrounded by poverty and violence is hard enough, and Coffin Nachtmahr had the added challenge of being different. He stutters. He never quite fit in, and he was picked on. Then he discovered a lifeline in the unlikeliest of pursuits: yo-yoing. In the subculture of “throwers,” he found purpose, acceptance and community. Today, Coffin is the city’s best, transforming the simple activity of yo-yoing into a transfixing dance of creativity, innovation and connection.